I also dug out a stock of Ilford FP4+ that went out of date a couple of years ago. It's been in a cold room since I bought it and I didn't worry about it being anything but good.
The key catalyst was a blog post by JB Hildebrand on Stand Development. The main drawback, for me, in shooting film was the problem of development, it's getting harder to find good film labs and I'm too lazy to develop my own films, all the timing and temperature just left me irritated. Stand developing takes a lot of that out. Hildebrand's post is a great resource and I urge you to read it but the essence of this technique is to use just enough developer to run the film and no more (this is typically a 1:100 dilution) and leave it pretty much alone for an hour or so then wash and fix. I used Adox Adonal (the new name for Rodinal after AGFA went under) and Ilford Rapid Fixer at 1:4 for five minutes.
Simple. I like simple.
My process is a little individual (this is the other key feature of Stand Devving, everyone does it their own way) and I left the first film in for two hours with inversions at every 30 minutes, this makes it a semi-stand dev but who's counting?
The shots I took with the Rolleiflex have come out pretty well, at least as well as the last roll I took ages getting to exactly 25 degrees and agitating perfectly on time and all that stressful palaver.
The shots aren't the sharpest and I was using the Sunny 16 Rule for metering but things came out reasonably well for a test shot in a very suspect 75 year old camera.
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| My old-timey Rolleiflex |
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| The horrible St Nicholas House. |
So, here are a couple of shots from the latest roll, along Guild Street near Aberdeen Station.
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| Tivoli Theatre |
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| Station Hotel |
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| Corner of Guild Street |
All up I am happy with the results. I think my scanning needs to improve and I will definitely be pushing the next shots, that is one of the great advantages of this technique and one I should really have been using all along. It also allows for pushing and standard exposure of the same roll with no change in development. Film is becoming digital.




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